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The Peruvian Cajón in flamenco: history and first recording
How the Peruvian Cajón found its way into flamenco: history and the first flamenco recording sessions
From Afro-Peruvian folklore to the great stages of flamenco.
Today, the cajón is a recognisable instrument in many forms of modern flamenco. Its dry, direct sound, rich in rhythmic nuance, has blended naturally into many of the best contemporary flamenco shows. Yet the cajón did not start off as a flamenco instrument, nor even a Spanish one. Its story begins in Peru and its appearance in flamenco shows, such as Pasión at Teatro Flamenco Sevilla, was the result of curiosity, intuition and pure chance.
Afro-Peruvian flamenco roots
The cajón originates in Afro-Peruvian culture during the colonial period. It emerged as a form of musical expression in Afro-descendant communities in Peru who used wooden boxes as percussion instruments. Its use became firmly established in traditional genres such as festejo, the festive, celebratory flamenco styles, and zamacueca, the Afro-Peruvian style of music influenced by Spanish musicians travelling to the New World in the 18th century.
For centuries, it was a popular folk instrument along the Peruvian coast, with no connection whatsoever to flamenco.
The encounter with Paco de Lucía
Everything changed in the late 1970s. During a tour of Latin America, Paco de Lucía was captivated when he saw the cajón played by the Peruvian musician Caitro Soto. He was struck by how the instrument could provide a solid and natural beat. Paco sensed that this sound would fit perfectly with flamenco and decided to take a cajón back to Spain.
It was his percussionist, Rubem Dantas, who first incorporated it into a flamenco ensemble. The first recording where it can clearly be heard is Live… One Summer Night (1984), an album that marked a turning point in the evolution of modern flamenco.
From novelty to familiar feature in flamenco (though not everywhere)
Since then, the cajón has been adopted by many flamenco artists, particularly in more contemporary performances or fusions with other styles. Its ability to accompany rhythmic palos such as bulería, tango or rumba has made it a highly valued rhythmic partner.
However, it is not a traditional flamenco instrument and does not form part of the classic format in many tablaos. At Teatro Flamenco Sevilla, for example, the focus is on a more purist experience, where the guitar, singing, handclapping and dance take centre stage. The cajón may occasionally appear, but it is not present in every performance.
A fascinating story that connects cultures
Although its presence is not constant on every flamenco stage, the story of the cajón in flamenco is a fine example of how this art form is constantly evolving, always open to new influences. What began as a moment of intuition on a tour of Peru ultimately marked a new chapter in the rhythmic history of flamenco.
If you are interested in stories like this, the best way to continue exploring flamenco live is in places such as Teatro Flamenco Sevilla, where each performance preserves the soul of this art and connects you with its most authentic tradition.
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